New music, and music news!

**for the original post on my wordpress go here**

Admittedly, its been a while since my last post, but during that time I’ve been launching my other project Unsigned Cardiff so please do give it a follow if you’re a fan of unsigned/independent music.

A lot has happened on my music radar this week, so I’ll start with some new songs:

Walk the Moon – Different Colors

Walk the Moon made their comeback in September with Shut Up + Dance, along with a new album announcement. Now, they’ve released a second song. Gloriously upbeat and insanely catchy, Different Colors strengthens the path Shut Up + Dance has set up – if you’re not excited for the release of Talking is Hard, then there is something wrong.

Charli XCX – Gold Coins

After pushing back the release of her second album, Sucker, Charli isn’t leaving her fans completely high and dry and is instead dripping the album to us slowly. It’s certainly a different direction to True Romance, less synth pop, but no less catchy.

Taylor Swift – Blank Space

So not as recently as the other tracks, but in Taylor’s most recent release she gets, well, a bit crazy – and everyone loves it. Taylor’s venture into pop music really suits her. Even crying mascara face suits her. Some people are just fortunate (and good musicians).

Now moving on to music news:

• Band Aid 30 got released in aid of ebola. It’s not terrible, but perhaps a new song should have been written. Some of the lyric swaps are questionable to say the least.
• Paramore announced they’ll be re-releasing Paramore as a deluxe album, which will include a collab with Joy Williams (Civil Wars). I was hoping for a new album, but I’ll happily take what I’m given…
• and finally, Muse are set to headline Download Fest. Bit weird – I expected to see them at somewhere like Reading and Leeds, but there you go

REVIEW: Lights - Little Machines

**original post on my wordpress here**

After months of teasing, Lights has finally released her third full length. It's been three years since Siberia and a lot has happened to Lights, so this album is a whole leap forward.

It opens with three tracks already released online: the slower 'Portal', 'Running With the Boys' and 'Up We Go'. 'Running With the Boys' seems like the flip side of the coin 'Pretend' started in The Listening. It's much more upbeat than the 2009 release, and the lyrics take a more positive angle. 

As the album progresses, it's clear that it's lost the almost dub-step edge of Siberia, but by no means the electro pop Lights is known for. 'Muscle Memory' strongly echoes Lights's sound from The Listening with an almost haunting edge. In fact, Little Machines is musically much more like The Listening, but it remains clear that she has come a long way since then - the lyrics have taken on a new edge, accentuating the positive in songs such as 'Meteorites', blasting the chorus 'we are gonna see greater heights/ They'll put our names up in neon lights'. 

After marriage and the birth of her first child, Rocket, it's no wonder Lights is positive in Little Machines - she has a lot to be positive about. Closing track 'Don't Go Home Without Me' (for those without the deluxe version) seems like a perfect way to end the album. It's tempo is slower than previous songs, bringing the album full circle from 'Portal', and talks about the future. Dispelling loneliness even in her later years, this track peaks at the bridge really showing the diversity of Lights's voice as she flows seamlessly from belting into a gentle falsetto on the line 'and we'll go out in style'. This draws the album to a close beautifully.

Every track of Little Machines fits in with the overall sound of the album, like its predecessors, and although it sounds like The Listening it has the maturity of Siberia and then some. Lights's sound has evolved through each album, and the current product is a strong sound that still leaves room for her to spread her musical wings. Every track on the album is different, and every one fantastic. Whatever Lights does next, it'll be hard pushed to top Little Machines, but as we know a lot could happen in the next three years.

Catch Lights in the UK next January.  

Review: The Cape Race - Home, Truths

**original blog on my wordpress here**

I first heard of The Cape Race three years ago after happening across out their twitter and, shortly after, buying their self-released EP Now, Voyager. Recently, they released their first full length with label Ten Letters and it certainly doesn’t disappoint.

The Manchester quintet have done a lot towards this album in the last three years. The album, Home, Truths opens with ‘Digging For Gold’, a slower track that builds up as it progresses and definitely one of my favourite tracks on the album. The instruments in the verses seem restrained, really letting loose for the chorus in a way that compliments David Moloney’s strong vocals.

Aside from being an all-round great band, it’s Moloney’s voice that really sets The Cape Race apart from similar bands and puts the album on another level. Thankfully keeping his Manchester accent, no track ever runs the risk of instruments drowning out vocals, but Moloney also demonstrates his beautiful falsetto in the chorus of ‘The 77′. Each track gels together, from more familiar tracks to arguably more experimental ones, without jarring or stopping the album’s general flow; ‘Vines’ seems to me like it was written to be a live track, just waiting for an eager crowd to sing it back.

The Cape Race have by no means left Now, Voyager behind in their debut full-length, however, merely built on it. In fact, the album has four of the six tracks from the band’s EP, and personally I’m thrilled. ‘The Reprieve’ was my absolute favourite track – it’s the right amount of catchy without becoming annoying, and the guitars are just as fantastic as the clever lyrics – so to see it made the album was perfect. This way, anyone who buys the album that might not have also bought the EP get the pleasure of it anyway.

The album closes the same way as the EP, with ‘Now, Voyager’. This certainly doesn’t mean The Cape Race haven’t come far, though. Although more lyrically mellow than other tracks, the closing track takes away none of the albums bite. After a calmer bridge that signs off the build up from ‘Digging For Gold’ perfectly, the latter half of the track is more raw and energetic, and seals Now, Voyager and Home, Truths together. To say that this is a solid album would be an understatement; The Cape Race have come above and beyond since their first EP without distancing themselves from it, producing a consistent sound that they can call their own.

New This Week

**original post on my wordpress here**

I'm always the first person to watch new videos for my favourite artists, but for me it seems very rare that so many new videos drop all in the same week. So this week my ears/eyes were in for a real treat with new singles and videos dropping left right and centre!

1. Lights - Portal

Obviously, I'm a huge fan of Lights and eagerly awaiting her new album Little Machines (released in September!). Like many fans, I was expecting a video for 'Up We Go', but instead she surprised many of us with a new single and video. More subdued than 'Up We Go', 'Portal' shows a different side of Lights' upcoming album, putting emphasis on her amazing voice stripped back of any added electro effects. The video is suitably beautiful yet simplistic, yet the ending is still very much what fans expect from Lights.

2. Bebe Rexha - I Can't Stop Drinking About You

I have been so excited for this video for months now! First put on soundcloud four months ago, Bebe Rexha sure knows how to keep people waiting. After lending her vocals to Cash Cash for massive hit 'Take Me Home', Bebe has released a hit of her own - insanely catchy with a beat that'd fill any dance floor. And now, to top it off, a gorgeous video that fits the song and the genre. Couldn't possibly ask for more.

3. Iggy Azalea ft. Rita Ora - Black Widow

This was one of my favourite tracks off The New Classic, so I was pretty chuffed when Iggy announced it was going to be a single. In a sort of Charlie's Angels-esque daydream, Iggy Azalea and Rita Ora show how badass they can be without taking themselves too seriously. The video perfectly matches the lyrics, with revenge being at the forefront. It's definitely one for the girls!

4. Ariana Grande ft. Zedd - Break Free

Speaking of girl power and daft videos, Ariana Grande's new video is along the same lines as Iggy Azalea's. 'Break Free' is another new track from her upcoming album, featuring another huge name in music. It's an incredibly catchy dance track - an ideal follow up to 'Problem' - and the video is a little crazy and bizarre in an entirely fun way. Alien rescues, weird and wonderful costumes, all topped off with an inter galactic dance at the end. Yes, it's daft, but you can't help but enjoy it!

5. Metro Station - Love & War

Shaking back onto the music scene is newly reformed (sort of) Metro Station. Founding members Trace Cyrus and Mason Musso have put aside whatever made them split in the first place to release new music together once again. Not much seems to have changed - 'Love & War' is pretty darn catchy, with both members contributing to vocals. Admittedly, in places the video looks like something you'd expect from a 90's boy band which, although I'm sure that's not quite the look they were going for, somehow works with the song. What can I say, I enjoy cheesy things.

Check out: Courage My Love

**original post on my wordpress here**

Canadian pop-punk trio Courage My Love have just completed the entirety of the Vans Warped Tour, making their mark on the music map.

 Formed in 2009, the trio won a battle of the bands contest in 2010, got signed to Warner Music Canada and continued to rise from their. They’re no strangers to the touring life, though, having supported some huge names and done a Warped date once before. The band consists of twins Mercedes (vocals, guitar) and Phoenix (drums, vocals) and their friend Brandon (bass). They released their first EP, For Now, in 2011. The 7 track EP opens with title track ‘For Now’, which is an upbeat track with a positive message, encompassing the message the band (according to their online bio) strive to spread. The EP is pretty strong for a first release, with the right mix of tracks like ‘For Now’ and more seemingly personal tracks like ‘Disappear’ and ‘Smoke and Mirrors’ which is slightly less upbeat but the lyrics give a more personal insight that the listener can appreciate and feel connected to the band.

 As far as talent goes, Courage My Love certainly have no shortage. Despite the unfortunate prejudice of some, Mercedes proves to be more than adequate on both vocals and guitar, her clean cut voice providing a nice contrast with some heavier guitar solos (don’t believe me? Check out her ‘You Don’t Know How’ guitar play through video here). Like her sister, Phoenix’s drumming is in no way simple or repetitive, but instead the differences in pace and beat are clear from track to track, fitting in well with the genre and the other instruments.

 The bands most recent release, Becoming, is a nice follow up to For Now, beginning deceptively slow with clear vocal contributions from both twins (told you they were talented) and building up on this. I can imagine it’s a great EP to hear live as, unlike For Now, there’s slightly more variation in the songs on Becoming which goes to show that Courage My Love aren’t afraid to experiment and build on their sound (rather than release two very similar sounding EPs). Each track is different from the next whilst still being suited to the genre and the overall EP. Tracks ‘Unfamiliar Sheets’ and ‘All I Need’ seem to have an underlying electronic sound which gives the listener the variety you’d expect more in a full length, which makes you appreciate what Courage My Love have achieved in the space of just 8 tracks.

 As far as full lengths go, hopefully the band will release one soon. If you’re in the US, you can catch them on tour in November/December (dates here), and all their music is available on their web store or via iTunes. They’re definitely worth checking out no matter what you usually listen to – you never know, you might be surprised at what you hear.

New Music: Lights

**original post on my wordpress here**

Over a year after Siberia Acoustic, three years after Siberia and a whole baby later, Christmas has come early for fans of Lights with 3 huge announcements all in one day.

For the past 10 days, Lights has been teasing fans over social networking with a countdown. Yesterday, she made her quite frankly huge announcement and gave fans everything we could possibly want, all at once. At Scene Fest, she debuted two new songs 'Up We Go' and 'Running With The Boys', and with yesterday's announcement came the studio version of 'Up We Go' (hopefully a video will follow soon, but let's not be greedy). The song is certainly more reminiscent of The Listening than Siberia, with more clean cut synth than the almost dub-step vibes we heard in Siberia. Also, the electronic vocal effects are far more prominent in this song, giving it the very electro-pop vibe that Lights is known for. In itself, 'Up We Go' is a brilliant choice for first release - the lyrics are beautiful, as always with Lights, yet it's still upbeat and catchy and will appeal to a wider audience. It also sets up all the positivity that 's going to follow; the lyrics are honest but hopeful and it's refreshing to see an artist put so much of themselves into their music. From this song alone, any listener can tell how much Lights has put into her art. It perfectly captures her progression from the last album whilst still being very recognisable as Lights. Although it sounds different to Siberia, Lights style is completely unmistakable.

Along with 'Up We Go', it was also announced that Lights' third full length Little Machines will be released 23rd September (pre order here), along with a 23 date Canadian/North American tour with the promise of more to come. There are various album bundles which include a coloured vinyl and some autographed goodies which Lights has assured fans will all be personally signed by her and not printed on. You can listen to some live recordings of 'Running With The Boys' on youtube to get a further taster of what's to come. Judging by those two songs I've heard so far, the album is going to be a strong follow up to Siberia, and well worth investing in. I saw Lights perform live back in 2012 at the O2 Academy in Birmingham, and her performance was flawless and energetic so I can definitely recommend catching her on tour if she's coming to your area. Whether you've heard of Lights or not, if you're a fan of electro-pop I'd highly recommend listening to her music.  

Camden: more than meets the ears

**original post on my wordpress here**

    Famed for the shopping and general visual experience, Camden Market is one of London's most famous attractions. However, the experience far beyond the eyes.

    My first visit to the Camden markets was a busy one by far. The minute I stepped off the tube, I was hit with an array of sights and smells, everything catching my eye as I made my way through it all. It's a place that has seemed to harness all the energy of other places in London like Oxford Street, yet none of the urgency. And it is an exciting place to be, but it's not just the visual aura of the market that gives it it's charm.

   Over the thousands of voices and cries of shop owners and consumers alike is possibly the most musically diverse place I have visited. The shops and stalls alone mostly play their own music, and given the large variety the music was varied, too. In the Stables Market alone I heard enough to satisfy everyone's tastes - from rock, to house music, even some that sounded like it belonged in the Middle East. The whole place is a mirage of musics of all genres from lots of different parts of the world. Even leaving the underground world of the Stables I was immediately greeted by the thumping beat coming from Cyborg (a shop which, to say the least, is the most bizarre and one of a kind place I have come across). The sound in the shop itself is deafening, yet not at all out of place in a sea of the weird, the wonderful, and the neon.

   Though there's a lot of music being played, audio tracks from studios isn't all the markets have to offer. As far as live music goes, Camden is home to a few famous venues including the Roundhouse and KOKO. However, walking around introduced me another popular venue: the street. Camden Market is rich with buskers of all types - whilst there I saw a three piece band doing some pretty old school covers, a duo with acoustic guitars, and so much more. There is no shortage to the variety this place has to offer. And not only the streets, but some shops (mostly cafés and the like, though) also have live musicians, adding to the hive of activity and offering an alternative audio experience that's visual, too. Saying this, I think you could easily walk around Camden Market with your eyes closed and experience just as much as you could with them open.

   So my visit to Camden didn't just provide me with a lot to look at, but also so much to listen to. Walking from place to place was like changing channels on a radio, but with none of the bad signal. My opinion? You certainly don't need to shop to enjoy what Camden has to offer, and if you're looking for musical variety you've certainly found the right place. Definitely high on my list of recommendations for anyone visiting London.  

Ramble: Graduation

**original post on my blogger here**

   Today's post is late and very much non-music related because yesterday, after three long years at the University of Birmingham, I finally graduated!

   The day itself was brilliant - the sun was out and stayed out, the ceremony went well, and I felt like Harry Potter in my gown (always a plus). I got to speak to a couple of my lecturers which was good because I got to thank them. The reception was really great, too - plenty of wine and soft drinks available free to the graduates and their guests (all of whom were welcome, regardless how many guests we brought which was nice because only two were allowed in the ceremony).

   Over the past three years, as cheesy and annoyingly clichéd as it sounds, I've changed a lot as a person. I don't think it's possible to leave home for three years, meet so many new people, and be in such a different environment from what you're used to without changing. And I've learnt a lot, not just about my course but about life in general. I think these are the most important things I've learnt, and I think everyone comes to realise at some point in their life:

1. Don't be afraid to try new things. That's how we learn and grow as people. How are you going to find out what you enjoy and what you're really good at if you don't try it first? Never be deterred by fear of the unknown, because most of the time the rewards make it worth it.
2. Everyone makes mistakes. It's how we deal with these things that really matters. Weird as it sounds, it took me a long time to sit back and think 'I keep doing this to myself, something needs to change'. Sometimes you get stuck in the same cycle and keep making the same mistakes, but it's important to see that if it's making you unhappy, learn from it rather than ignoring it.
3. Not everyone is going to like you, just like you're not going to like everyone you meet. But don't waste your time with the wrong people, or trying to please someone you know you're wasting your time on. Sometimes you have to accept that you can't please everyone. In he workplace, yeah, you have to deal with these people. But in your own life? Cut them out, they aren't worth the trouble. 
4. Be yourself. Don't change to suit other people. I'll be honest, I didn't enjoy my first year at all, mostly because of how I was changing as a person - all to suit other people who, in hindsight, weren't my friends. In the uni environment, it really shouldn't matter what other people think about you. You don't act like them on a night out? That's fine. You don't feel like going out and just want to stay home and watch a film? Go for it. You don't get along with the person they all worship? That's OK, too. You want to wear clothes you're comfy in, that they might judge you for? Screw them. No one should ever make you feel bad about who you are, and your friends never will. If someone's bringing you down, they aren't your friend.
5. Enjoy yourself. Another cliché, but make the best of all your time no matter what you're doing. Don't sit wishing you were doing something else, get out there and do it. There's no point regretting things you can change.

   There's a lot of things I wish I could change about my time at uni, but I think without them I wouldn't be the person I am today. We live, we learn, and we build on our experiences. It's up to us to make sure we experience as much as we want with the time we have. 

Summer Songs

*original post on my wordpress here*

I find that there are always certain songs that remind me of summer, whether I associate them with a memory, or just because they're feel-good. These are my top 10 I listen to pretty much every summer. Why? Because I do.

1. JET - Are You Gonna Be My Girl. This is certainly a favourite in my family. I can't count the amount of journeys we've made when this has been on the playlist. It's catchy, upbeat and great to sing along to.
2. Belle Histoire - Stay Awhile. I discovered Belle Histoire a good few years ago now, and this has to be my favourite of their songs. It's sweet and chirpy, just like summer should be, which is why I always listen to it to get myself in a good mood.
3. Arctic Monkeys - Fluorescent Adolescent. Although I'm a firm believer that their first album is their best, this track is perfect for summer. Dangerously close to being a little poppy, very few people have never heard this track, so it's great for groups of people.
4. Paramore - For a Pessimist, I'm Pretty Optimistic. My favourite track off Riot! by far. Despite the seemingly negative subject matter, the track itself is super upbeat with a pop beat that's great for summer dancing (or, if you're me, jumping around like someone possessed. What can I say. I was gifted with two left feet).
5. You Me at Six - Save It For The Bedroom. This song makes me feel 15 again, and reminds me of all the summers I'd sit in my best friend's room and waste time on youtube or trying to get our friends together for a barbecue that never happened. Nostalgia in a song.
6. Muse - Starlight. To be honest, almost anything off Black Holes & Revelations I associate with summer, but this is probably the one track I can put on at a barbecue that everyone will know. Off what is arguably Muse's best album, it a perfectly positive summer track.
7. Hey Monday - How You Love Me Now. Another song that reminds me of my teenage years. It was one of the first songs I tried learning on guitar and I always play it in summer. It just about defines pop rock, with Cassadee Pope's vocals suiting the genre down to a T.
8. Away We Go! - City of Sin, With a Twist of Tulips. I could never really place my finger on what I liked about Away We Go! They're definitely strong pop rock, but Ray's unique vocals always brought something different to the table for me.
9. The Killers - Glamorous Indie Rock and Roll. Does what it says in the title - I suppose Mr Brightside would have been a more obvious choice, but this song is both relaxing and very summery.
10. Razorlight - Stumble and Fall. Another car playlist appearance. Or, if you're my Dad, you put on Up All Night but only end up playing this song on repeat. It's upbeat, positive, and (take it from me) very catchy indeed!

**next week's blog will be Thursday**

REVIEW: Coasts - Oceans EP

**Original post on my wordpress here**

   I came across Coasts after they followed me on twitter. Admittedly, I don’t normally check out many bands I get randomly followed by – mostly I don’t have the time – but this time I’m glad a did. A quick google told me the quintet hail from Bristol, and the EP itself was released at the end of May. It opens with ‘Oceans’ which starts deceptively slow, picking up pace until hitting the first chorus. There is certainly an indie vibe throughout the EP, and this track opens it perfectly. Deposited the changes in pace, the track flows without jarring and gives the vocals a chance to shine without distracting from the overall feel of all the instruments coming together.

   ‘Tonight’ has a sort of Two Door Cinema Club feel in the intro. Slightly more mellow than ‘Oceans’, this track is great for just chilling out to. In fact, the whole EP feels like it was written for festivals in the height of summer. The slightly more electronic sound adds another depth to it and gives the band a slight edge over a lot of indie bands with similar sounds. This diversity carries through to ‘Golden City’, another slow starter giving the keys a chance to shine this time as the guitars slightly more of a back seat until around the minute mark. The lyrics match the tempo of the song giving it a wholesome feel blending nicely as the track progresses. It also shows a slightly experimental side of the band with the effects used towards the end, implying that when Coasts release a full length it’ll have a lot to offer.

   The final song (excluding the two remixes) ‘See How’ gives way to softer vocals in the intro. Each track seems to emphasise different parts of the band, and altogether show a complete and rounded view of them. Despite the seemingly mellow lyrics, the track develops instrumentally into something deceptively upbeat. Though the EP works well in its studio form, it is definitely made for live performances. Even the slower tracks have an energy in them that’d be enough to win over any audience. I imagine their live shows would be well worth seeing – Coasts have a tour coming up in September which you can buy tickets for here, and you can get the EP here. It’s well worth the mere £2.99!

New Music: Pvris

**Original post over on my wordpress here.

   Massachusetts three piece are set to make their mark this year in the alternative rock genre. Their debut EP (available here) was released last year containing 5 songs from the band and giving listeners an idea of their sound. The EP opens with 'Demon Limbs', and show the bands solid sound and strong instrumental tones. The guitars show how skilled the band are with their instruments, giving the EP a more mainstream metal vibe that will appeal to a larger audience. Lynn Gunn's vocals are like a mixture between Mindy White (Lydia/States) with all the raw grittiness of Lzzy Hale (Halestorm). The instrumentals perfectly gel with Gunn's vocals, all providing a kick of their own. All five tracks have the same strong tones that give the band a fresh sound, separating them from the female fronted cliché that they must be 'like Paramore' for having a female lead.

   

   The thoroughness of their sound even hits the lyrics, too. The band shows a maturity in all aspects of their music. There's no hints of auto tune or that they've tried to clean around the edges of their sound, which makes them all the more appealing as it gives them a rawness found in few bands nowadays. However, this doesn't sound accidental - it sounds like the band wanted to keep their sound as 'real' as possible, by keeping Gunn's vocals untouched and allowing the band to keep their sound exactly as they intended. The changes in tempo in the guitars flow perfectly and everything seems to fit.

   This year, the band released an acoustic EP (available here) produced by Blake Harnage (of Versa). Featuring the first four tracks off their debut EP, the sound is much more subdued with the same vibes often found on an album from Lydia (especially Illuminate). The band shows more diversity in their sound, keeping the instrumentals strong yet taking on the same gentler tone as Gunn's vocals. However, this certainly doesn't diminish what they built in their previous EP, but instead adds to what they can achieve together across their genre.

   Gunn was featured in the most recent Glamour Kills line alongside Jess Bowen (drummer, The Summer Set) and Jenna McDougall (vocals, Tonight Alive). The band will also be playing Warped Tour in America this year alongside the likes of Neck Deep and The Summer Set, so they're certainly going the right away about getting their name out there. Their two EPs give a promising taster of their sound, so I'd certainly keep an eye out for their eventual release of a full length - if their music so far is anything to go on, it's going to sound pretty darn good. 

New blog and a ramble

   I made the decision to run a Wordpress site here alongside this blogger. I'll still post on both, same posts on both, at the same time, but hopefully I'll reach a wider audience this way.

   I’ve just completed a degree in English with Creative Writing, which involved a lot of writing (it also explains why I’m so behind on posting. These last few weeks have been busier than I’d anticipated). I’ve always loved to write – it’s something I really enjoy and for me offers a release (that’s why I have a blog). But sometimes when I tell people what I study, some people seem to think it’s a ‘doss’ subject. Not true. I’ve worked so hard these past three years because writing is hard.

   Everyone can write. Just like everyone can sing, or everyone can dance, just some are better than others. The most difficult thing about creative writing for me is that I don’t think it’s something you can learn – there’s no one way to write, and it’s purely subjective as to what is considered ‘good’, and what is considered ‘bad’. All you can do is read a lot and write a lot to improve; I’ve experimented with a lot of different techniques to find what suites me and I think that’s all you can do.

   The worst thing about doing a creative writing dissertation was knowing I had to write something, but being unable to. I find I have to write to suit my mood, which is hard when you’re suffering from intense writer’s block. The second hurdle is coming up with an idea. For my course, it can’t just be basic – you have to know your entire plot, even though you’re only writing a chapter. It’s incredibly hard if, like me, you prefer a basic direction then write and see what happens. There is always a fear of accidental plagiarism, which luckily I have yet to do, but hearing someone in your group pretty much state the plot of The Time Traveler’s Wife only with the woman time travelling instead of the man begins to make you doubt yourself.

   So when people tell me I took an easy course, they couldn’t be more wrong. The amount of thought and work I’ve put in is immense. Writing is really difficult; you have to think about making believable characters, an entertaining original plot appropriate for your audience, and writing well. On top of all the other literature essays and exams. I love writing, and the work is worth it to be able to do what I enjoy.

Absence

   I've had exams over the past few weeks, so I've been revising hard and didn't have any time to blog. But, now that they're over, I'm hoping to start posting 1 or 2 a week. I've also been considering moving to wordpress, because it seems to be a wider known blogging site and therefore might mean that my blog will reach a wider audience. If I do move, it'll be posted on here.

   Obviously, I've had little time to really write anything. So, instead, I'll give my top 10 songs I've been revising to over the past few weeks.

1. Death Cab for Cutie - A Lack of Color. This song is perfect for starting revision as it's so calming - the slow tempo and Ben Gibbard's soothing vocals are a sure fire remedy to revision stress and panic.
2. Cash Cash ft. Bebe Rexha - Take Me Home (acoustic). This song is so catchy and I love Bebe Rexha, but personally when I revise club tracks are a no. Solution? The acoustic version. It still carries the same energy but a little more subdued and not too distracting.
3. Panic! at the Disco - This is Gospel. I love revising to this song, because it's the perfect mixture of Vices & Virtues and their newer, more electronic sound. It's upbeat and shows off Brendon Urie's amazing vocal range.
4. VersaEmerge - Your Own Lov.e. As you can probably gather, I'm a real sucker for strong vocalists with a kick-ass range, and this song offer's just that in Sierra Kay's voice, but with the added softness of Blake Harnage's allowing the track to really balance out.
5. Paramore - Ain't It Fun. I'm not sure whether 'motivational' is exactly the right word for this song, but it certainly got me working. It's catchy without being obtrusive (i.e, I only caught myself singing along to it once or twice instead of revising...)
6. Iggy Azalea ft. Charli XCX - Fancy. I love this song. I find it strangely empowering and positive, perfect for getting into revision mode. Also Iggy Azalea is a really talented and diverse artist.
7. Lights - Peace Sign. Like 'Fancy', I find this song positive(ish) and it's upbeat. I can't get enough of Lights' sound as I find incredibly unique. I could happily listen to this song over and over and not get bored.
8. Deaf Havana - Boston Square. I find this song very familiar, and it brings back memories of seeing Deaf Havana live which I thoroughly enjoyed, so it automatically puts me in a happier and more positive place.
9. Chvrches - Mother We Share. I've only recently got into Chvrches, and their electronic, futuristic sound mixed with Lauren Mayberry's voice is a perfect combination. The verses build up to the chorus and keep me awake and engaged.
10. Charli XCX - Nuclear Seasons. Another oddly motivational one. Charli's sound is so unlike most other electronic artists which gives her a bit more of an edge. To be honest, all of True Romance is great for me to revise to, but this is my favourite track off the album.

   I think everyone revises to different things, so this isn't what you should revise to, just what I have found works for me. I owe a huge thanks to all of the artists that have made revision just that bit less tedious.

RAMBLE: Moving

   Having been pretty much in the same place my entire life, the only time I've ever technically moved anywhere has been at university. I've 'lived' in a total of 4 different places during my 21 years so far on this planet. Being in my final year now, it's led me to consider the daunting prospect of life after uni, whereby I'll be expected to accept that yes, I am an adult and therefore responsible for myself.

   Granted, my worries are coming a year early (I have a conditional offer for a masters course), but they're still there. Although university has prepared me for some real life things - like bills, they're a real bummer - I still don't feel like I could enter the real world and think 'yeah, I am totally ready for this'. On the outside, I'll still have to pay rent and bills, but without that added security net of a student loan. Getting a job is a prospect that terrifies me beyond belief - what if, a year after graduation, I'm still struggling? Everyone desires independence to an extent, but what if I'm still leaning on my parents?

   I've accepted that eventually I won't be able to live in my hometown anymore (it's not exactly the forefront for music journalism). Although I've never feared new places, quite the opposite, I think it's the unfamiliarity of it that makes me nervous. Like when I moved to university in first year, and had to rely on maps. I like to know where I'm going, both literally and concerning my future, so now that my safety net is nearly gone everything has hit me at once.

   Like I say, although I (hopefully) still have another year to panic about getting a real job, I can't help but be concerned about it now. Sometimes I envy the people who have it all figured out, because I still don't seem to have a clue. I guess the best we can do in life is try, and keep trying, until we're happy with what we have become.  

Check Out: Echosmith

   With an average age of just 17, it may come as a surprise that Echosmith are signed to massive label Warner. But don't be perturbed by their age - the quartet have a lot more to offer than just their youth.

   California based siblings Sydney, Jamie, Noah and Graham Sierota first appeared online under the name 'Ready Set Go' in 2010 with a cover of Taylor Swift's 'Mine' on youtube (listen here). The band bring a new meaning to taking work home, as they seem to eat sleep breathe music, 24/7. Following their video of 'Mine' the band uploaded numerous other cover videos, showcasing their extensive talents, including tracks originally by Mumford and Sons and Coldplay (incidentally, one of their main influences). Two years and many covers later, the band were signed to Warner Bros. Records.

   After being signed, the band released debut single 'Tonight We're Making History' under new name Echosmith. The song had an electronic, pop vibe that wouldn't have sounded out of place amongst many other young artists currently in the charts. The band then went on to record an album, releasing singles 'Come Together' and 'Cool Kids'. The two songs showed a more refined sound for Echosmith, more indie yet still harnessing the same energy as their previous single. Sydney's vocals suit this style perfectly, reminiscent of vocalists in Of Monsters and Men, London Grammar and Chvrches. Her voice shines in every song, demonstrating both her strong chest voice and a beautiful falsetto in tracks such as 'Bright' and 'March Into the Sun', and Jamie and Noah (guitar and bass, respectively) harmonise perfectly with her. 

   The bands debut album Talking Dreams was released late 2013, showing a mature sound for the band that's consistent from song to song. One track, 'Surround You', was featured on the soundtrack for 2014 film Endless Love starring Alex Pettyfer. The band are clearly going places, having already toured with the likes of Owl City and Neon Trees and appeared on MTVs 2014 Artists to Watch. Talking Dreams is a strong debut album, with catchy tracks and it gives Echosmith their sound. For such a young band (Graham, drums, is just 15), they seem to have a firm grasp on their music and what they want to sound like, so it'll be all onwards and upwards for the band from here. I would highly recommend investing in the album and checking out their youtube for covers and acoustic performances. They seem like the kind of band that is only going to carry on growing and getting even better. 

Ones To Watch: Charli XCX and Bebe Rexha

   You've heard chart chart hits 'The Monster' and 'I Love It', but what about the artists behind them?

   Charli XCX and Bebe Rexha have both taken the charts by storm recently - and a lot of people don't even know it. Both are credited writers on major hits originally meant for themselves, and now it's their time to shine.

   2013 saw a number 1 for Charli XCX and a support slot on Paramore's massive UK arena tour, playing to over around 50,000 fans in total. 2014 is certainly going to be her year to shine. After releasing her debut album True Romance a year ago, Charli XCX is no stranger to the music industry and has since been asked to write for Britney Spears and wrote a track with Marina and the Diamonds (listen here). She has been writing music since she was 14, and this year she's finding her place in music.

   This week, Iggy Azalea's new track 'Fancy' dropped, featuring Charli XCX, and reached number 5 in the midweek charts. The track is bound to be a huge success, and get Charli wider known ready for the release of her second album (due this year!). You can download SuperLove now for a taste of what's to come and listen to Boom Clap here - a track on The Fault in Our Stars soundtrack, where she'll be alongside the likes of Ed Sheeran and Birdy. Both tracks have all the good features of pop with an added electro twist, making them both catchy and refreshingly different. 

   Formerly lead vocals of Pete Wentz's project Black Cards, Bebe Rexha has since written for Selena Gomez and now Eminem. She has also worked with some huge names in music, and had a lot of experience touring and writing. Although Black Cards seems to be Rexha's big break into music, like Charli she's been passionate about it from a young age. Last year she posted a number of acoustic covers on her youtube and soundcloud, showing her diversity and amazing voice.

   It comes as no surprise, therefore, that Rexha is now embarking on her own solo project. After featuring on Cash Cash's single 'Take Me Home', which has since received a lot of airplay on the radio, she is due to release her first single 'I Can't Stop Drinking About You' which you can listen to here. With a catchy beat and a drop that'll make anyone move, this track is bound to make it huge. Rexha's unique vocals add new depth, not to mention her kick-ass range (I highly recommend watching some of her live performances on youtube). With the right promotion, I'm sure she'll be gracing the charts very soon.

   So what are you waiting for? Check these ladies out, as I'm sure you'll be hearing a lot more about them very soon!

REVIEW: Bitten by Kelley Armstrong

   Elena Michaels lives in Toronto with her partner, Philip, and just happens to be the only female werewolf in existence.

   The book thrusts us into a combination of realism and the fantastical from the very first chapter as we see Elena transform into a wolf in an alleyway. Like a wolf, she yearns to run with her pack, and so we are introduced to a collision of worlds: the life Elena has made for herself, and the life she has run from.

   Throughout the novel, written from Elena's perspective, we gain insight into the Werewolf hierarchy/Elena's adoptive family that is the Pack. Armstrong has created a society within society itself, making new rules for werewolves - if you're not a member of the Pack, you're considered a 'Mutt' and doomed to live like a vagrant, never allowed to settle or encroach on Pack territory. In a way, their society runs much like a real Pack of wolves; any threats to them are eliminated, but unlike real wolves only one pack is allowed. It is also revealed how werewolves are created, through being bitten or being the son of a werewolf, and how it has come to be that Elena is the only female.

   Elena's character is highly enticing. She has had a troubled upbringing, but unlike some characters in other novels, she doesn't use that as a reason not to make the most of her lot in life. She is certainly a strong female protagonist, and fiercely loyal. Throughout the novel it is clear she is evolving as a person, she has her flaws, and ultimately her journey guides her to her true place in life which involves her more-than-slightly complicated relationship with ex-fiance, Clay. He's another fantastic character - it is clear he is more wolf than human (having been bitten as a child), something Armstrong handles brilliantly, but deeply in love with Elena. Famed for his brutality when enforcing Pack law on Mutts, unlike most 'heroes', he is not considered to be misunderstood or wanting to change and be a better person; he knows who he is and is staying that way, which is what makes him such an interesting character.
   
   The plot remains consistent throughout. Elena seems to be prized in a potential Mutt uprising, and Armstrong certainly isn't afraid to kill off characters. This isn't a novel where all of the 'good guys' miraculously remain unharmed and some death scenes are certainly graphic. And of course, not all the 'bad guys' get killed, Armstrong shows a higher form of Werewolf society in the Pack's ability to negotiate.

   All in all, it's a fantastically well-written book with strong characters and plot-line. There are good moments, tense moments, and moments that will make you blush wherever you are.

REVIEW: The Pretty Reckless - Going To Hell

   Back with a bite: The Pretty Reckless drop their second full length, and what an album it is. New label, new tracks and music you can really sink your teeth into.

   Its been a while since Light Me Up, but The Pretty Reckless certainly have not been sitting around procrastinating for four years. The album with 'Follow Me Down', and sets the tone for the whole album. Momsen's vocals have retained their rawness which makes them so appealing - this sure isn't an autotuned, pop rock album. The main riff is certainly descended from the metal genre, complimented nicely by Momsen's voice, and this same vibe is continued into the album's title track. Accompanied by a ballsy bassline and lyrics that only belong in a metal song, this album will certainly have anyone hooked within the first two songs.

   Continuing the darker theme, in 'Heaven Knows' the band have included a children's choir. Yes, it does make you question what their teachers thought when they returned to school singing 'oh Lord, heaven knows we belong way down below', but that's an entirely different matter. The song is extremely catchy, and is definitely a good live song. To be honest, the entire album would be fantastic to see live. This sort of theme continues throughout, as the lyrics and music reach new places that show how the band are moving forwards and defining themselves within the rock/metal genre.

   Less instrument-heavy songs, such as 'Burn', show a different side to the band and really give Momsen's vocals chance to shine. Not only is her singing unique, but it's clear that it also excels within the context of 'normal' vocals. She clearly has a much wider range than previous TPR songs have let on, and it's a real treat to see the full extent of her talent throughout the album.

   Bottom line? If you want interesting, decent music with a real kick, and tempo changes in songs that for any other band would seem jarring but The Pretty Reckless work with ease, you should definitely invest in this album. The band have progressed majorly since Light Me Up and it really shows, and is certainly enough to keep any fan on their toes wanting more.

Feeling Useless: Final Year Stress

   The final year of uni is a terrifying thought, and it's only just really hit me that I have 2 weeks left of official term time before the exam period. 2 weeks. Am I panicking? Perhaps a little. And how's my dissertation going? Well, I've hit a block.

   There comes a stage for every final year student when you have what I imagine to be the university equivalent of a mid-life crisis. You ask yourself all the questions that it is, quite frankly, too late to answer. Asking 'is this really what I want to do with my life, or should I quit and do something irrelevant?' is probably the dumbest question to ask oneself, yet it still happens. Eventually, most will come to the conclusion that unless you enjoy pointless debt, then yes, this is what you want to do. But what about after university?

   These past few weeks, I've noticed a significant rise in the amount of booked slots for the careers advisors. To most students, you have a number of choices: further study, internships/postgrad schemes, employment. For most, it's making this choice that is the first hurdle, which all contributes to the third year break down. Suddenly a question that seemed so simple when you were younger, 'what do you want to be when you grow up?', is more difficult to answer that being asked to single handedly create world peace; it would seem 'Angelina ballerina' is no longer an adequate response.

   On top of having to consider life after uni without that safety blanket of a regular loan, it's dissertation period for most students. After writing, scrapping, and re-writing thousands of words a few times, finishing seems like mission impossible. And it's always now that the library has decided to stock only one copy of the book everyone seems to need (cough cough How Fiction Works) so it's near impossible to get hold of. Unless you buy it, spending more money that, by now, you really don't have. But if, like myself, you miraculously do know what you want to do after graduation, there's the added stress of applications and interviews. Managing time becomes an enigma, and before you know it deadlines are catching up. 

   The main question is, should we be worried? Well, yes. This is real life. But at the same time, whether it feels like it or not, we'll all get there eventually. A full scale freak out is bound to happen to everyone at some point. I think it's important to think of it not as a break down, but as stress release - it'll seem better tomorrow.

Bitten: Book vs. Series

In January, new TV series Bitten was introduced based on Kelley Armstrong's Women of the Otherworld series (more specifically, her first book of the same title).  Having read the first two books in the series (review of Bitten coming soon), then discovering the TV adaptation, I decided to give it a go - after all, nothing says procrastination like catching up on an entire series in a matter of days, right? Having read a minor synopsis of the TV version, I gathered that the first series at least was only based on the first book in Armstrong's series, so I'll be briefly comparing the series to the novel.

Plot

The first episode opens very much like the book; we are introduced to Elena - played by Laura Vandervoot - undergoing a change in Toronto. So far, so good. In fact, the series maintains a closeness to the plot of the novel, but this can also be bad because it's not exactly the same. First of all (plot spoiler here for anyone who hasn't read the novel) Logan is very much alive and features in a lot of the episodes. Rather than being a voice on the phone, he is firmly in Toronto and in Elena's life. Instead of killing him off, Antonio is killed off later in the series, and the Mutt situation gets way more out of hand than the events in the novel.

Casting

As far as casting goes, it was never going to be exactly how I imagined it - after all, everyone imagines the characters differently. In my opinion, all the characters are fairly accurate to their descriptions in the book, with a few very minor exceptions (like Clay's hair not being as blonde as it should. Like I say, we are talking very minor). Their choice of Greg Bryk as Jeremy Danvers is, in my opinion, perfect. All the actors are clearly talented and take on the roles brilliantly - you get a clear sense of the emotion intended in the script. Which brings me to my next part...

Characters

As a standalone series, Bitten is really great. But in comparison to the book? So e of the characters seem a little off. My main qualm is their portrayal of Clay. Don't get me wrong, Greyston Holt plays the part brilliantly, but the Clay scripted in the series lacks some of the key traits as the Clay in the novel. Rather than being the almost primal being he is in the novel, failing to engage with human emotions simply because he doesn't want to, he is portrayed in the series as a lost romantic hero who wants to change to win back Elena. This is fine, if you've not read the book. If you have, not so good. There are a few other minor details as well - Jeremy doesn't seem nearly as level-headed as he does in the novel, and Elena only seems to get ballsy around the fifth episode - again, works well as a standalone series just not if you've read the book. Nick, however, is a perfect match on his book character, however I'm worried he may change now that they have killed Antonio.

Final Thoughts

As a series by itself, Bitten is absolutely fine for anyone who likes supernatural dramas. If you've read the novels and don't like the idea of them being changed, don't watch the series. That's not to say anyone who has read the novels shouldn't watch the series, but it's important to keep an open mind and see them a separate from each other. Otherwise, if you're as pedantic as me, it'll drive you crazy. Perhaps I'm too picky, but these are my thoughts. And I will probably continue to watch the series.

What's in a name?

   A lot, as it happens. Recently, after departing from label Fueled By Ramen, Sierra Kay and Blake Harnage (formerly of VersaEmerge) embarked upon a new journey under the name VERSA. Obviously, there is a clear connection between the two names - after all it's still the same people behind them - but are they really the same band?

   VersaEmerge were an alternative band, and many people consider VERSA just to be a regeneration of this. However, VERSA's music is entirely different. Listening to songs such as 'The Authors' alongside 'Neon' show a complete musical progression and change. It would be wrong to say 'VERSA formerly known as VersaEmerge' because they are a different band. If you wikipedia VERSA (such a reliable source of information, I know, but do try to bear with me) you still get directed to VersaEmerge's page. But how can this be right, if VERSA are an entirely new band? 

   Kay and Harnage's decision to begin a new project under the name VERSA is still referred to as another form of VersaEmerge. However, it is wrong to say 'I like their old stuff better' because VERSA have no 'old' stuff. Harnage recently confirmed in an interview on tumblr that VERSA is an entirely new project for himself and Kay, and so it's clear that the comparisons between the two bands are misguided. They both have different musical styles and are entirely different bands. There is no 'old VERSA', because they've only just started out, and if the Neon EP is anything to go by they're certainly worth a listen.

One song can make a moment

   No matter where we go, we are never far from music. Whether it's someone with headphones in, or a radio in a car or shop, or just birds tweeting each other, it's always close. The most curious thing about music is how it can change things.

   Music is used most effectively in films. A soundtrack can make or break a movie - use the wrong track at the wrong time and a whole scene could fall apart. Some of the best soundtracks usually tend to be instrumental; Harry Potter and Lord of the Rings have some of the most iconic and effective soundtracks. However, other songs are associated with certain films, too. Hear AC/DC? Think Iron Man. Hear 'Love is All Around'? Think Bill Nighy in Love Actually. 

   Music affects us in ways we don't even realise at the time. When we are in a self-pitying mood, some people seem to deliberately gravitate towards sad music. After a few club hits, all I want to do is go out. Music can change our mood regardless of how we think we're feeling. For example, Christmas Eve I found myself walking home in the dark, through my 'nothing-ever-happens-here' village, down the same roads I've walked since I can remember. Even in the dark, I've felt particularly threatened or edgy about the walk. But this time was different. This time, I put my headphones in and listened to VersaEmerge 'Lost Tree'. I came across no other people or cars, as you'd expect at 11pm, yet for the first time it felt eerie. I found myself speeding up, and after the build up in the middle, I found myself running home. All because of the music.

   I often wonder how people can not care for music - it's such a part of everyday life. If you don't think it can change you, I recommend taking a familiar route at night with 'Lost Tree' playing.

There's nothing like a new set of strings

   Admittedly, my old guitar strings have been on old Val since I bought her 2 years ago, mostly because I was so scared of changing them, but today I bit the proverbial bullet and it's wonderful!

   After much google-ing, I settled on D'Addario EJ16 Phosphor Bronze strings. I use light gauge because Val's an electro-acoustic APX500, and they're much easier on my fingers.  Many reviews say that the phosphor bronze lasts longer than standard bronze or steel strings, and with my phobia I sure hope they're right. The strings themselves are colour coded - which I'm sure isn't the case with all brands - so it was easy to change them. They look beautiful too: it's only once you have new strings that you realise how dull the old ones were getting.

   Once I'd changed them, it was time for a sound test. If anything describes 'music to my ears' best, it's new strings. They sound very bright, and unplugged compliment the acoustic vibe perfectly. Until now, I hadn't realised just how sad my old strings sounded. The sound is far more rounded and she sounds every bit as new as when I first got her. I'd highly recommend these strings to anyone with an electro-acoustic, and they only cost £5.10 for a single set off amazon.
  
   I don't play my instrument that often as it's a hobby for when I have the time, so although some people may be horrified at how long I left it to change my strings it really isn't too bad when compared to usage. The only thing I can say is I understand why musicians change them more frequently. Val sounds glorious!