Absence

   I've had exams over the past few weeks, so I've been revising hard and didn't have any time to blog. But, now that they're over, I'm hoping to start posting 1 or 2 a week. I've also been considering moving to wordpress, because it seems to be a wider known blogging site and therefore might mean that my blog will reach a wider audience. If I do move, it'll be posted on here.

   Obviously, I've had little time to really write anything. So, instead, I'll give my top 10 songs I've been revising to over the past few weeks.

1. Death Cab for Cutie - A Lack of Color. This song is perfect for starting revision as it's so calming - the slow tempo and Ben Gibbard's soothing vocals are a sure fire remedy to revision stress and panic.
2. Cash Cash ft. Bebe Rexha - Take Me Home (acoustic). This song is so catchy and I love Bebe Rexha, but personally when I revise club tracks are a no. Solution? The acoustic version. It still carries the same energy but a little more subdued and not too distracting.
3. Panic! at the Disco - This is Gospel. I love revising to this song, because it's the perfect mixture of Vices & Virtues and their newer, more electronic sound. It's upbeat and shows off Brendon Urie's amazing vocal range.
4. VersaEmerge - Your Own Lov.e. As you can probably gather, I'm a real sucker for strong vocalists with a kick-ass range, and this song offer's just that in Sierra Kay's voice, but with the added softness of Blake Harnage's allowing the track to really balance out.
5. Paramore - Ain't It Fun. I'm not sure whether 'motivational' is exactly the right word for this song, but it certainly got me working. It's catchy without being obtrusive (i.e, I only caught myself singing along to it once or twice instead of revising...)
6. Iggy Azalea ft. Charli XCX - Fancy. I love this song. I find it strangely empowering and positive, perfect for getting into revision mode. Also Iggy Azalea is a really talented and diverse artist.
7. Lights - Peace Sign. Like 'Fancy', I find this song positive(ish) and it's upbeat. I can't get enough of Lights' sound as I find incredibly unique. I could happily listen to this song over and over and not get bored.
8. Deaf Havana - Boston Square. I find this song very familiar, and it brings back memories of seeing Deaf Havana live which I thoroughly enjoyed, so it automatically puts me in a happier and more positive place.
9. Chvrches - Mother We Share. I've only recently got into Chvrches, and their electronic, futuristic sound mixed with Lauren Mayberry's voice is a perfect combination. The verses build up to the chorus and keep me awake and engaged.
10. Charli XCX - Nuclear Seasons. Another oddly motivational one. Charli's sound is so unlike most other electronic artists which gives her a bit more of an edge. To be honest, all of True Romance is great for me to revise to, but this is my favourite track off the album.

   I think everyone revises to different things, so this isn't what you should revise to, just what I have found works for me. I owe a huge thanks to all of the artists that have made revision just that bit less tedious.

RAMBLE: Moving

   Having been pretty much in the same place my entire life, the only time I've ever technically moved anywhere has been at university. I've 'lived' in a total of 4 different places during my 21 years so far on this planet. Being in my final year now, it's led me to consider the daunting prospect of life after uni, whereby I'll be expected to accept that yes, I am an adult and therefore responsible for myself.

   Granted, my worries are coming a year early (I have a conditional offer for a masters course), but they're still there. Although university has prepared me for some real life things - like bills, they're a real bummer - I still don't feel like I could enter the real world and think 'yeah, I am totally ready for this'. On the outside, I'll still have to pay rent and bills, but without that added security net of a student loan. Getting a job is a prospect that terrifies me beyond belief - what if, a year after graduation, I'm still struggling? Everyone desires independence to an extent, but what if I'm still leaning on my parents?

   I've accepted that eventually I won't be able to live in my hometown anymore (it's not exactly the forefront for music journalism). Although I've never feared new places, quite the opposite, I think it's the unfamiliarity of it that makes me nervous. Like when I moved to university in first year, and had to rely on maps. I like to know where I'm going, both literally and concerning my future, so now that my safety net is nearly gone everything has hit me at once.

   Like I say, although I (hopefully) still have another year to panic about getting a real job, I can't help but be concerned about it now. Sometimes I envy the people who have it all figured out, because I still don't seem to have a clue. I guess the best we can do in life is try, and keep trying, until we're happy with what we have become.  

Check Out: Echosmith

   With an average age of just 17, it may come as a surprise that Echosmith are signed to massive label Warner. But don't be perturbed by their age - the quartet have a lot more to offer than just their youth.

   California based siblings Sydney, Jamie, Noah and Graham Sierota first appeared online under the name 'Ready Set Go' in 2010 with a cover of Taylor Swift's 'Mine' on youtube (listen here). The band bring a new meaning to taking work home, as they seem to eat sleep breathe music, 24/7. Following their video of 'Mine' the band uploaded numerous other cover videos, showcasing their extensive talents, including tracks originally by Mumford and Sons and Coldplay (incidentally, one of their main influences). Two years and many covers later, the band were signed to Warner Bros. Records.

   After being signed, the band released debut single 'Tonight We're Making History' under new name Echosmith. The song had an electronic, pop vibe that wouldn't have sounded out of place amongst many other young artists currently in the charts. The band then went on to record an album, releasing singles 'Come Together' and 'Cool Kids'. The two songs showed a more refined sound for Echosmith, more indie yet still harnessing the same energy as their previous single. Sydney's vocals suit this style perfectly, reminiscent of vocalists in Of Monsters and Men, London Grammar and Chvrches. Her voice shines in every song, demonstrating both her strong chest voice and a beautiful falsetto in tracks such as 'Bright' and 'March Into the Sun', and Jamie and Noah (guitar and bass, respectively) harmonise perfectly with her. 

   The bands debut album Talking Dreams was released late 2013, showing a mature sound for the band that's consistent from song to song. One track, 'Surround You', was featured on the soundtrack for 2014 film Endless Love starring Alex Pettyfer. The band are clearly going places, having already toured with the likes of Owl City and Neon Trees and appeared on MTVs 2014 Artists to Watch. Talking Dreams is a strong debut album, with catchy tracks and it gives Echosmith their sound. For such a young band (Graham, drums, is just 15), they seem to have a firm grasp on their music and what they want to sound like, so it'll be all onwards and upwards for the band from here. I would highly recommend investing in the album and checking out their youtube for covers and acoustic performances. They seem like the kind of band that is only going to carry on growing and getting even better. 

Ones To Watch: Charli XCX and Bebe Rexha

   You've heard chart chart hits 'The Monster' and 'I Love It', but what about the artists behind them?

   Charli XCX and Bebe Rexha have both taken the charts by storm recently - and a lot of people don't even know it. Both are credited writers on major hits originally meant for themselves, and now it's their time to shine.

   2013 saw a number 1 for Charli XCX and a support slot on Paramore's massive UK arena tour, playing to over around 50,000 fans in total. 2014 is certainly going to be her year to shine. After releasing her debut album True Romance a year ago, Charli XCX is no stranger to the music industry and has since been asked to write for Britney Spears and wrote a track with Marina and the Diamonds (listen here). She has been writing music since she was 14, and this year she's finding her place in music.

   This week, Iggy Azalea's new track 'Fancy' dropped, featuring Charli XCX, and reached number 5 in the midweek charts. The track is bound to be a huge success, and get Charli wider known ready for the release of her second album (due this year!). You can download SuperLove now for a taste of what's to come and listen to Boom Clap here - a track on The Fault in Our Stars soundtrack, where she'll be alongside the likes of Ed Sheeran and Birdy. Both tracks have all the good features of pop with an added electro twist, making them both catchy and refreshingly different. 

   Formerly lead vocals of Pete Wentz's project Black Cards, Bebe Rexha has since written for Selena Gomez and now Eminem. She has also worked with some huge names in music, and had a lot of experience touring and writing. Although Black Cards seems to be Rexha's big break into music, like Charli she's been passionate about it from a young age. Last year she posted a number of acoustic covers on her youtube and soundcloud, showing her diversity and amazing voice.

   It comes as no surprise, therefore, that Rexha is now embarking on her own solo project. After featuring on Cash Cash's single 'Take Me Home', which has since received a lot of airplay on the radio, she is due to release her first single 'I Can't Stop Drinking About You' which you can listen to here. With a catchy beat and a drop that'll make anyone move, this track is bound to make it huge. Rexha's unique vocals add new depth, not to mention her kick-ass range (I highly recommend watching some of her live performances on youtube). With the right promotion, I'm sure she'll be gracing the charts very soon.

   So what are you waiting for? Check these ladies out, as I'm sure you'll be hearing a lot more about them very soon!

REVIEW: Bitten by Kelley Armstrong

   Elena Michaels lives in Toronto with her partner, Philip, and just happens to be the only female werewolf in existence.

   The book thrusts us into a combination of realism and the fantastical from the very first chapter as we see Elena transform into a wolf in an alleyway. Like a wolf, she yearns to run with her pack, and so we are introduced to a collision of worlds: the life Elena has made for herself, and the life she has run from.

   Throughout the novel, written from Elena's perspective, we gain insight into the Werewolf hierarchy/Elena's adoptive family that is the Pack. Armstrong has created a society within society itself, making new rules for werewolves - if you're not a member of the Pack, you're considered a 'Mutt' and doomed to live like a vagrant, never allowed to settle or encroach on Pack territory. In a way, their society runs much like a real Pack of wolves; any threats to them are eliminated, but unlike real wolves only one pack is allowed. It is also revealed how werewolves are created, through being bitten or being the son of a werewolf, and how it has come to be that Elena is the only female.

   Elena's character is highly enticing. She has had a troubled upbringing, but unlike some characters in other novels, she doesn't use that as a reason not to make the most of her lot in life. She is certainly a strong female protagonist, and fiercely loyal. Throughout the novel it is clear she is evolving as a person, she has her flaws, and ultimately her journey guides her to her true place in life which involves her more-than-slightly complicated relationship with ex-fiance, Clay. He's another fantastic character - it is clear he is more wolf than human (having been bitten as a child), something Armstrong handles brilliantly, but deeply in love with Elena. Famed for his brutality when enforcing Pack law on Mutts, unlike most 'heroes', he is not considered to be misunderstood or wanting to change and be a better person; he knows who he is and is staying that way, which is what makes him such an interesting character.
   
   The plot remains consistent throughout. Elena seems to be prized in a potential Mutt uprising, and Armstrong certainly isn't afraid to kill off characters. This isn't a novel where all of the 'good guys' miraculously remain unharmed and some death scenes are certainly graphic. And of course, not all the 'bad guys' get killed, Armstrong shows a higher form of Werewolf society in the Pack's ability to negotiate.

   All in all, it's a fantastically well-written book with strong characters and plot-line. There are good moments, tense moments, and moments that will make you blush wherever you are.

REVIEW: The Pretty Reckless - Going To Hell

   Back with a bite: The Pretty Reckless drop their second full length, and what an album it is. New label, new tracks and music you can really sink your teeth into.

   Its been a while since Light Me Up, but The Pretty Reckless certainly have not been sitting around procrastinating for four years. The album with 'Follow Me Down', and sets the tone for the whole album. Momsen's vocals have retained their rawness which makes them so appealing - this sure isn't an autotuned, pop rock album. The main riff is certainly descended from the metal genre, complimented nicely by Momsen's voice, and this same vibe is continued into the album's title track. Accompanied by a ballsy bassline and lyrics that only belong in a metal song, this album will certainly have anyone hooked within the first two songs.

   Continuing the darker theme, in 'Heaven Knows' the band have included a children's choir. Yes, it does make you question what their teachers thought when they returned to school singing 'oh Lord, heaven knows we belong way down below', but that's an entirely different matter. The song is extremely catchy, and is definitely a good live song. To be honest, the entire album would be fantastic to see live. This sort of theme continues throughout, as the lyrics and music reach new places that show how the band are moving forwards and defining themselves within the rock/metal genre.

   Less instrument-heavy songs, such as 'Burn', show a different side to the band and really give Momsen's vocals chance to shine. Not only is her singing unique, but it's clear that it also excels within the context of 'normal' vocals. She clearly has a much wider range than previous TPR songs have let on, and it's a real treat to see the full extent of her talent throughout the album.

   Bottom line? If you want interesting, decent music with a real kick, and tempo changes in songs that for any other band would seem jarring but The Pretty Reckless work with ease, you should definitely invest in this album. The band have progressed majorly since Light Me Up and it really shows, and is certainly enough to keep any fan on their toes wanting more.

Feeling Useless: Final Year Stress

   The final year of uni is a terrifying thought, and it's only just really hit me that I have 2 weeks left of official term time before the exam period. 2 weeks. Am I panicking? Perhaps a little. And how's my dissertation going? Well, I've hit a block.

   There comes a stage for every final year student when you have what I imagine to be the university equivalent of a mid-life crisis. You ask yourself all the questions that it is, quite frankly, too late to answer. Asking 'is this really what I want to do with my life, or should I quit and do something irrelevant?' is probably the dumbest question to ask oneself, yet it still happens. Eventually, most will come to the conclusion that unless you enjoy pointless debt, then yes, this is what you want to do. But what about after university?

   These past few weeks, I've noticed a significant rise in the amount of booked slots for the careers advisors. To most students, you have a number of choices: further study, internships/postgrad schemes, employment. For most, it's making this choice that is the first hurdle, which all contributes to the third year break down. Suddenly a question that seemed so simple when you were younger, 'what do you want to be when you grow up?', is more difficult to answer that being asked to single handedly create world peace; it would seem 'Angelina ballerina' is no longer an adequate response.

   On top of having to consider life after uni without that safety blanket of a regular loan, it's dissertation period for most students. After writing, scrapping, and re-writing thousands of words a few times, finishing seems like mission impossible. And it's always now that the library has decided to stock only one copy of the book everyone seems to need (cough cough How Fiction Works) so it's near impossible to get hold of. Unless you buy it, spending more money that, by now, you really don't have. But if, like myself, you miraculously do know what you want to do after graduation, there's the added stress of applications and interviews. Managing time becomes an enigma, and before you know it deadlines are catching up. 

   The main question is, should we be worried? Well, yes. This is real life. But at the same time, whether it feels like it or not, we'll all get there eventually. A full scale freak out is bound to happen to everyone at some point. I think it's important to think of it not as a break down, but as stress release - it'll seem better tomorrow.