Review: The Cape Race - Home, Truths

**original blog on my wordpress here**

I first heard of The Cape Race three years ago after happening across out their twitter and, shortly after, buying their self-released EP Now, Voyager. Recently, they released their first full length with label Ten Letters and it certainly doesn’t disappoint.

The Manchester quintet have done a lot towards this album in the last three years. The album, Home, Truths opens with ‘Digging For Gold’, a slower track that builds up as it progresses and definitely one of my favourite tracks on the album. The instruments in the verses seem restrained, really letting loose for the chorus in a way that compliments David Moloney’s strong vocals.

Aside from being an all-round great band, it’s Moloney’s voice that really sets The Cape Race apart from similar bands and puts the album on another level. Thankfully keeping his Manchester accent, no track ever runs the risk of instruments drowning out vocals, but Moloney also demonstrates his beautiful falsetto in the chorus of ‘The 77′. Each track gels together, from more familiar tracks to arguably more experimental ones, without jarring or stopping the album’s general flow; ‘Vines’ seems to me like it was written to be a live track, just waiting for an eager crowd to sing it back.

The Cape Race have by no means left Now, Voyager behind in their debut full-length, however, merely built on it. In fact, the album has four of the six tracks from the band’s EP, and personally I’m thrilled. ‘The Reprieve’ was my absolute favourite track – it’s the right amount of catchy without becoming annoying, and the guitars are just as fantastic as the clever lyrics – so to see it made the album was perfect. This way, anyone who buys the album that might not have also bought the EP get the pleasure of it anyway.

The album closes the same way as the EP, with ‘Now, Voyager’. This certainly doesn’t mean The Cape Race haven’t come far, though. Although more lyrically mellow than other tracks, the closing track takes away none of the albums bite. After a calmer bridge that signs off the build up from ‘Digging For Gold’ perfectly, the latter half of the track is more raw and energetic, and seals Now, Voyager and Home, Truths together. To say that this is a solid album would be an understatement; The Cape Race have come above and beyond since their first EP without distancing themselves from it, producing a consistent sound that they can call their own.

REVIEW: Coasts - Oceans EP

**Original post on my wordpress here**

   I came across Coasts after they followed me on twitter. Admittedly, I don’t normally check out many bands I get randomly followed by – mostly I don’t have the time – but this time I’m glad a did. A quick google told me the quintet hail from Bristol, and the EP itself was released at the end of May. It opens with ‘Oceans’ which starts deceptively slow, picking up pace until hitting the first chorus. There is certainly an indie vibe throughout the EP, and this track opens it perfectly. Deposited the changes in pace, the track flows without jarring and gives the vocals a chance to shine without distracting from the overall feel of all the instruments coming together.

   ‘Tonight’ has a sort of Two Door Cinema Club feel in the intro. Slightly more mellow than ‘Oceans’, this track is great for just chilling out to. In fact, the whole EP feels like it was written for festivals in the height of summer. The slightly more electronic sound adds another depth to it and gives the band a slight edge over a lot of indie bands with similar sounds. This diversity carries through to ‘Golden City’, another slow starter giving the keys a chance to shine this time as the guitars slightly more of a back seat until around the minute mark. The lyrics match the tempo of the song giving it a wholesome feel blending nicely as the track progresses. It also shows a slightly experimental side of the band with the effects used towards the end, implying that when Coasts release a full length it’ll have a lot to offer.

   The final song (excluding the two remixes) ‘See How’ gives way to softer vocals in the intro. Each track seems to emphasise different parts of the band, and altogether show a complete and rounded view of them. Despite the seemingly mellow lyrics, the track develops instrumentally into something deceptively upbeat. Though the EP works well in its studio form, it is definitely made for live performances. Even the slower tracks have an energy in them that’d be enough to win over any audience. I imagine their live shows would be well worth seeing – Coasts have a tour coming up in September which you can buy tickets for here, and you can get the EP here. It’s well worth the mere £2.99!